By Peter Cochrane, 26 February 2004 10:24
COMMENT On several occasions in print and during presentations I have made the observation that soon we will be able to carry all the music we have ever heard contained on a single shirt pocket size device.
Sometimes I have extended and elaborated by saying that this will then also quickly move on to all the music ever recorded, to be followed by all the movies we have seen - and so on.
The context has either been as an example of exponential change, the rate of technological advance, and/or the threat posed to old business models and industries by new devices and previously unthought-of customer activity. To be specific, the PC and the internet saw Napster become the mother of more criminal activity, by the strict letter of the copyright laws, in a shorter time than any other previous technology.
Mass storage, raw processing power, cheap network bandwidth, and unprecedented connectivity, is changing everything.
At a recent industry meeting my viewpoint was challenged and in real time I had to construct a defence. My rationale, on the white board, went something like this: Let us make a few basic and well-founded assumptions (1) Suppose you listen to music for 10 hours a day every day of your three score years and ten. Not an unreasonable assumption in that we sleep for 8 of the 24, and have to travel, talk, meet, work, play et al as well. (2) Now assume that the average music track is 3 minutes in duration. Then in one lifetime we will have heard 70 x 365 x 10 x 60/3 = 5,110,000 tracks. (3) Now assume we hear each track an average of 10 times, and at an average MP3 file size of 3MB, we would then need 3 x 0.511 x 10^12 Bytes of storage space.
Another way off getting to these figures is to assume that MP3 music files realise around 1min of playtime per 1MB delivered. So 1 x 60 x 10 x 365 x 70 = 1,533 GB, a figure we will use shortly to extend the argument to movies and TV.
So we are looking at something of the order 1,500 GB (or 1.5TB) to satisfy my lifetime music suggestion. How close are we today? As far as I can see the largest capacity MP3 players are currently up to 80GB and 100GB should be available within a few months. So roughly speaking we need around 15 such devices to carry all the music we ever heard contained in a rather large and extended shirt pocket.
We now have to make a projection as to the speed of likely development.
To put it mildly the disk storage boys are on a roll creating denser storage capacities well ahead of Moores Law for the Integrated Circuit. Densities seem to be doubling within 12 months, and we are assured of at least another decade of such progress. One manufacturer is proclaiming that standard PC Drives of 0.5TB capacity will be on the market by 2006 just two years from now.
The smaller laptop devices will probably follow just two years later in 2008. So my forecast is that my first prediction will come true around 2012.
If we make a similar set of assumptions for TV programmes and movies we can also repeat the above derivation process, but it is easier to assume a 1,000 fold increase in the Bytes requires, to fill and exactly replace our 10 hours a day for a lifetime of listening to become a lifetime of viewing. Then we need around 1,500TB (or 1.5PB) in our shirt pocket. This will definitely demand the 3D storage techniques currently being developed in the R&D laboratories today.
So assuming todays density growth rates we will only need another 10 years beyond my 2012 estimate we're looking at 2024. And beyond this? All the music ever recorded might require another 1,000 fold density increase, which would take us out to 2034. Who knows?
Why is all this a stunner? On one level it is a huge leap compared to time taken to get from a wax cylinder to the CD. But on the most disruptive level, it will kill some companies and corporations, and may even lay waste to entire industries unable to adopt and adapt fast enough to new customer derived regimes.
More exciting and revolutionary is the degree of control afforded the owners of these devices, especially when each pocket device has a wireless capability included for short-range networking. When they are programmed to operate as automated Napster stations, continually scanning, searching and comparing, taking in and passing on new tracks, from anyone and anything that gets in range long enough, then we will see a living network unlike no other.
For anyone out there thinking thats that then, or so what, the good/bad news is; it doesnt stop. We have a long way to go yet, holographic devices, and perhaps some nano-devices can extend this (1,000 fold every 10 years) growth for many decades beyond.
So what ultimately happens? Of course, no one knows exactly, but I suspect all our life bits will be included and subsumed very quickly. I just want to see the search engines and interfaces to go with it. Seems to me that the real challenge is going to be how we keep track and find everything in seconds.
This column was conceived and the calculations formulated on flight BA21933 between London and Dallas, the original text was typed between Austin and San Francisco on AA1703 and revised between Ipswich and Bristol on the M4. It was finally despatched to silicon.com from Jury's Hotel Bristol via a dial up modem @ 48kbit/s.



Comments
There are 8 comments. Join the discussion
1. Poor little poor boy.
5,110,000 tracks at $0.99 each = $5,058,900 (about £2,721,450 in real money).
Plus movie & TV costs.
Plus the cost of the device itself.
Equals...
A hell of a lot of money.
Lets hope by 2026 we live in a utopian society!
2. David Bramley
The problem won't be finding the track you want it'll being knowing that it exists. I believe that we'll end up paying for the wrapping of the bits not the bits themselves - ie mechanisms for letting us know what we are likely to like - all wrapped up into one service with the contetn. Rather like the perfume business ?!
3. Simon Gall
Hi Peter,
Good to read your comments again, this time on silicon.com .
See you're still travelling between Ipswich and CL in USA.
Look forward to seeing you in London soon
4. Dorian Moore
"all the music ever recorded"
This bit jibes me... that's a lot of music. Not the 500,000 tunes that you are talking about. It goes with this whole thing of the digital download companies going on about how much music they have... take a look and you'll find it's oh so little music of what is really published. It's the mainstream ... it hardly touches classical. And of course how do you qualify "recorded", or "ever"... apart from anything else the amount of music recorded will have increased by the time you finish the calculation!
By all means qualify your statements, but don't use ones like that until you can qualify them, or justify them by qualifying something else.
5. John Hewett
your comment about connectivity may make things happen a lot quiocker. It will not be necessary to have everything on your own disk if you have access to everyone else's.
6. Alan T
Having been a Digital Media specialist (video and audio) since 1992 I pretty much agree with Peter's analysis of the ubiquity of media availability.
Even today, with the right technical skills and software you can produce a 1Mbit/sec Variable Bit Rate windows media version of a DVD movie - looks great, sounds great but only consumes about 1Gbyte of space. It is possible to buy a 250GByte hard drive for about 120 GBP and so such a drive will hold around about 250 movies, or about eight hundred 30 minute TV shows right there on your PC. These are not small-screen clips, they are full screen, full motion movies that look every bit as good as VHS - mostly they look a lot better.
If we go along with Peter's extrapolation predictions (which I mostly do) and marry that with the technologies we already have, and which we can expect will get yet better, then we can easily see how the world that Peter paints can and will be reached.
As Peter rightly points out, there is a great deal of commoditisation to be done around the way that we index, manage and consume all this stored media. If I were an investin' man I would be looking around for personal media management tools vendors to invest in right now.
Most important of all - I think - will be the realisation by the content owners that the digital media genie is out of the bottle. Like the music industry before it, the video (TV, Movie) industries are being forced to come to terms with "the new". Luckily for the movie industry all this is ahppening during a high-tide period when movies are immensely popular - alas for the music industry it was engulfed by the digital wave when music buying by the general public was at a relatively low ebb. -
I think that for all digital media there will have to be a new common-sense accomodation reached between what is equitable and what is enforceable. Of course that will take some time - too many people make too much money out of the current system to let it be easily modified.
Finally, we have the human factor. If technology puts all the movies he ever wanted to see in Peter's pocket, and he has this bewildering array of thousands of items to choose from, maybe he'll just go off and watch whatever comes on BBC2!
Alan T
7. Richard James
Does Peter never sit down in one place have an idea, type it out and send it off?
8. Mike Meyer
An interesting article -- but it didn't make any references to improvements in compression technologies as the years flash by.
For more on this refer to David Wood's article in EBU Technical Review: http://www.ebu.ch/trev_295-wood.pdf